Eighth-grader Jaycee Hiller is beginning to fear she only imagined her trip to Mallory. But when a rainy afternoon leaves her with hours of playing Hero’s Sword, her favorite video game, she finds herself drawn back into the game – literally.
STORM CLOUDS is the exciting second volume of the HERO’S SWORD saga – chronicling Jaycee Hiller’s trials in eight grade, and her exciting adventures in Mallory, the setting of her favorite video game. Jaycee enters the video game realm via a special controller and is caught up in the action of this fantasy realm.
In STORM CLOUDS, a valuable jewel belonging to the neighboring estate of Devin, the Sapphire Star, is missing, stolen at the Fall Consortium. Lady Starla stands accused of the theft. Devin’s demands are clear: return the Star or they will take it back by force.
Now it’s up to Lyla Stormbringer to find the Star and the thief. before Mallory finds itself at war.
Character Interview: Jayce Hiller/Lyla Stormbringer
M: Hey, Jaycee, thanks for hanging out with me.
J: Well, you’re in charge and you said I had to be here, so here I am.
M: A true 13-year old response. So, you’re in your last year of middle school. How’s it going?
J: Same as always. Stu and I are still friends. Trina and her cheerleader groupies are still annoying. Nate Fletcher is still super-cute.
M:Anything you’re looking forward to this year?
J: Graduation. I mean, high school can’t be less interesting, right?
M: I suppose not. So, does Trina and her gang really bother you?
J: Not really. I mean, they are annoying when I’m around them, you know? Always acting like the most important things are clothes, boys, and makeup. But when I’m not around them, I don’t really think about them. I mean, I’ve got Stu to hang out with and Hero’s Sword to keep me busy.
M: Let’s talk about Hero’s Sword. Why is it your favorite game?
J: Because it lets me do so many cool things. I mean, normal kids don’t get to play with swords, you know? And using a bow in gym class is just not the same as using it in a real forest. Plus I get to ride horses, and have adventures. I get to make the rules and create my estate the way I want to, as long as I follow the rules of the game, of course.
M: What about your avatar? I assume you like her.
J: Oh yeah, Lyla is way cool. I mean, she’s me, but cooler.
M: How so?
J: Well, I created her, so it’s my thoughts and I decided how she’d look. But Lyla says and does all the things I wish I could so, especially saying. I mean, Lyla would never get tongue-tied in front of Nate. And she’d always have a smart response to Trina. But I always seem to come up with something to say when they’ve walked away and it’s too late.
M: I understand. Being able to think up something on the spot is hard. So, what was it like going into Mallory for real the first time?
J: Freaky! I mean, I knew the Controllix was going to up my game-playing, but I totally didn’t expect to be in the game, like for real. Things like that happen in movies, not real life. But once I got over the surprise, it was really cool.
M: What’s the coolest thing about being in Mallory?
J: Being Lyla. I mean, I am her, you know? But I’m still me, too. I’ve got all her skills and stuff, which is good because it would be really awkward if the hero of Mallory suddenly couldn’t swing a sword. But all my thoughts are still mine. I still remember what I had for breakfast, what happened in school, or previous adventures. I just feel so, I don’t know, stronger, you know? People respect Lyla, which means they respect me. And that’s a really cool feeling.
M: Has being Lyla changed you in real life?
J (shrugs): I don’t know, maybe. I mean, If I can stand up to a guy with a sword, I should be able to stand up to a cheerleader. I’ve just spent so much time trying not to be noticed, you know? But I suppose what I’ve done in Mallory should help me deal with Trina and her gang.
M: Like dumping milk on her? (Jaycee grins) So, is there anything scary about Mallory?
J: The first time I went, I had a duel with Oscar and he cut my arm. When I came back, I had a new scar. So knowing that if I get injured in Mallory I get injured for real is kind of scary. But I’ve got Roger to help, so that’s cool. And it’s weird to think that I create all these people, and where they live, but they seem to have lives of their own. They get into a lot of trouble without me, that’s for sure.
M: Speaking of Roger, how do you feel about him?
J: Roger? He’s cool. He’s like my dad, but with a sword, you know? I think he really cares about me, but sometimes I think he knows more than he’s telling me. I don’t know why, it’s just weird. I do know he’s crazy about Lady Starla, so I hope he gets over this whole class thing and just asks her out. Sheesh.
M: And what about Lady Starla?
J: I’d hate to cross her. She’s nice, but she’s tough. And she totally loves Roger. The two of them are enough to drive me crazy.
M: So you want to go back to Mallory?
J: Oh yeah. I have to find out who’s behind all this stuff, you know? It’s my world, and I don’t want anybody messing with it. So I have to go back. Speaking of which (glances at clock), are we done here? ‘Cause I’ve got a game to play.
About the Author:
A software technical writer by day, Mary Sutton has been making her living with words for over a decade. She writes the Hero’s Sword middle-grade fantasy series as M.E. Sutton, and The Laurel Highlands Mysteries series as Liz Milliron. She lives in Pittsburgh, PA with her husband and two children.
You will learn how to add graphics to your WordPress website a few chapters down in the book, but you can download the kit right away! It contains 32 social media icons, 4 background patterns, 4 buttons and 4 ribbons.
Stoked About WordPress
(uses WordPress Version 3.5x)
“Stoked About WordPress” is a beginner’s guide that lays out in complete detail the exact steps needed to build a full-fledged website. We will start building a website from scratch and then add layer upon layer of WordPress goodness!
The book doesn’t just talk theory. “Stoked about WordPress” has 50+ screenshots and uses a demo website to point to live examples.
Building A WordPress Website Is As Easy As 1-2-3…
The book has been divided into three ‘steps’-
Step 1 – The Essentials:
Pick the best domain names and web hosting using my checklist.
Buy web hosting at a super discount!
Avoid the #1 rookie mistake that can compromise your site’s security
By the end of this step your website will go live on the world wide web. Woot!
Step 2 – The Optimization:
Learn how to make essential back-end tweaks to lay a strong foundation for your website.
Add content, graphics, sidebar widgets, social media icons, plugins, customized navigation bar to your site. The works!
Pick up some juicy SEO tips!
Use the SEO checklist and image SEO techniques for a perfectly on-page optimized website.
By the end of Step 2, you would have turned a basic WordPress installation into a full-fledged website!
Step3 – The Design: Let loose those creative juices and overhaul your WordPress website into a new level of design. We will work with an amazing free theme that will give you a tremendous level of control over your site’s design. Down to the very last pixel. Well, almost!
Learn the 3-minute cool trick to make a custom background
Get fun fonts for your site
Tune up your site’s typography
Make a custom header using a free tool
By the end of this step your WordPress website will be totally set for prime time!
For a detailed Table of Contents, please scroll up and take a “Look Inside” the book
Untimed is an action-packed time travel novel by Andy Gavin, author of The Darkening Dream and creator of Crash Bandicoot and Jak & Daxter.
Charlie’s the kind of boy that no one notices. Hell, his own mother can’t remember his name. So when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don’t take him seriously. Still, this isn’t all bad. Who needs school when you can learn about history first hand, like from Ben Franklin himself. And there’s this girl… Yvaine… another time traveler. All good. Except for the rules: boys only travel into the past and girls only into the future. And the baggage: Yvaine’s got a baby boy and more than her share of ex-boyfriends. Still, even if they screw up history — like accidentally let the founding father be killed — they can just time travel and fix it, right? But the future they return to is nothing like Charlie remembers. To set things right, he and his scrappy new girlfriend will have to race across the centuries, battling murderous machines from the future, jealous lovers, reluctant parents, and time itself.
Untimed by Andy Gavin is a fantasy time travel novel about a teen boy named Charlie who has a problem, no one seems to be able to remember who he is, sometimes not even his own mother. The day he finds out the reason why is the day his life changes forever, he is able to time travel at will, and because of this power, strange clockwork soldiers try to hunt him down and kill him. There is a catch, he can only travel into the past. He finds out this bit of information from a girl he meets in the past named, Yvaine, another time traveler. Because she is a girl, she can only travel to the future. Unfortunately, the two accidentally end up changing history attracting every clockwork man in time to chase them down. The two must set time right again or the strange future they discover will become permanent, but the clockwork men don’t want it changed and stop them at every chance.
My Review 4 Out of 5 Stars
I enjoyed this book. It is well written and free of typos and grammar problems. It is also well formatted and has wonderful artwork throughout the book, a truly professional job. I liked how time travel works in the book and the clockwork soldiers give the novel a bit of a steam punk feel.
The main character Charlie comes across as realistic as we hear his inner thoughts conflicting with what he actually says and does. Yvaine’s sexual issues were a bit much at times especially if this book is meant for younger readers. She is very promiscuous. Unfortunately, I have known girls just like her so her behavior is realistic, but I’d suggest this book to a more mature crowd. The sexual acts are not detailed out like you would find in a romance or erotica novel. They were at a level that I didn’t mind reading the scenes.
A lot of action scenes are sprinkled throughout, but at times it does get slow when you read to the middle parts. Keep going when you hit these areas, it will pick up.
This novel has a conclusion of sorts, but obviously will have more books coming as none of the larger picture issues are resolved, such as where did the clockwork men come from, why are they trying to change time, why are there time travelers in the first place etc. If you like time travel stories with a bit of steam punk thrown in then you should give Untimed a try. A few may think it’s too slow at times, but I think most readers will enjoy this tale and appreciate its interesting time travel system.
Excerpt: Chapter One “Untamed”
UNTIMEDby Andy Gavin
Illustrations by Dave Phillips
Advance Review First Chapter
Cover Art Not Final
Formatting Not Final
Illustration Formatting Not Final
E-book ISBN 978-1-937945-05-3
Hardcover ISBN 978-1-937945-03-9
Trade Paperback ISBN 978-1-937945-04-6
Chapter One:
Ignored
Philadelphia, Autumn, 2010 and Winter, 2011
My mother loves me and all, it’s just that she can’t remember my name.
“Call him Charlie,” is written on yellow Post-its all over our house.
“Just a family joke,” Mom tells the rare friend who drops by and bothers to inquire.
But it isn’t funny. And those house guests are more likely to notice the neon paper squares than they are me.
“He’s getting so tall. What was his name again?”
I always remind them. Not that it helps.
Only Dad remembers, and Aunt Sophie, but they’re gone more often than not — months at a stretch.
This time, when my dad returns he brings a ginormous stack of history books.
“Read these.” The muted bulbs in the living room sharpen the shadows on his pale face, making him stand out like a cartoon in a live-action film. “You have to keep your facts straight.”
I peruse the titles: Gibbon’s Decline and Fall of the Roman Empire, Asprey’s The Rise of Napoleon Bonaparte, Ben Franklin’s Autobiography. Just three among many.
“Listen to him, Charlie,” Aunt Sophie says. “You’ll be glad you did.” She brushes out her shining tresses. Dad’s sister always has a glow about her.
“Where’d you go this time?” I say.
Dad’s supposed to be this hotshot political historian. He reads and writes a lot, but I’ve never seen his name in print.
“The Middle East.” Aunt Sophie’s more specific than usual.
Dad frowns. “We dropped in on someone important.”
When he says dropped in, I imagine Sophie dressed like Lara Croft, parachuting into Baghdad.
“Is that where you got the new scar?” A pink welt snakes from the bridge of her nose to the corner of her mouth. She looks older than I remember — they both do.
“An argument with a rival… researcher.” My aunt winds the old mantel clock, the one that belonged to her mom, my grandmother. Then tosses the key to my dad, who fumbles and drops it.
“You need to tell him soon,” she says.
Tell me what? I hate this.
Dad looks away. “We’ll come back for his birthday.”
* * *
While Dad and Sophie unpack, Mom helps me carry the dusty books to my room.
“Time isn’t right for either of you yet,” she says. Whatever that means.
I snag the thinnest volume and hop onto my bed to read. Not much else to do since I don’t have friends and school makes me feel even more the ghost.
* * *
Mrs. Pinkle, my ninth-grade homeroom teacher, pauses on my name during roll call. Like she does every morning.
“Charlie Horologe,” she says, squinting at the laminated chart, then at me, as if seeing both for the first time.
“Here.”
On the bright side, I always get B’s no matter what I write on the paper.
In Earth Science, the teacher describes a primitive battery built from a glass of salt water covered in tin foil. She calls it a Leyden jar. I already know about them from Ben Franklin’s autobiography — he used one to kill and cook a turkey, which I doubt would fly with the school board.
The teacher beats the topic to death, so I practice note-taking in the cipher Dad taught me over the weekend. He shows me all sorts of cool things — when he’s around. The system’s simple, just twenty-six made-up letters to replace the regular ones. Nobody else knows them. I write in highlighter and outline in red, which makes the page look like some punk wizard’s spell book. My science notes devolve into a story about how the blonde in the front row invites me to help her with her homework. At her house. In her bedroom. With her parents out of town.
Good thing it’s in cipher.
After school is practice, and that’s better. With my slight build and long legs, I’m good at track and field — not that the rest of the team notices. A more observant coach might call me a well-rounded athlete.
The pole vault is my favorite, and only one other kid can even do it right. Last month at the Pennsylvania state regionals, I cleared 16’ 4”, which for my age is like world class. Davy — that’s the other guy — managed just 14’ 8”.
And won. As if I never ran that track, planted the pole in the box, and threw myself over the bar. The judges were looking somewhere else? Or maybe their score sheets blew away in the wind.
I’m used to it.
* * *
Dad is nothing if not scheduled. He and Sophie visit twice a year, two weeks in October, and two weeks in January for my birthday. But after my aunt’s little aside, I don’t know if I can wait three months for the big reveal, whatever it is. So I catch them in his study.
“Dad, why don’t you just tell me?”
He looks up from his cheesesteak and the book he’s reading — small, with only a few shiny metallic pages. I haven’t seen it before, which is strange, since I comb through all his worldly possessions whenever he’s away.
“I’m old enough to handle it.” I sound brave, but even Mom never looks him in the eye. And he’s never home — it’s not like I have practice at this. My stomach twists. I might not like what he has to say.
“Man is not God.”
One of his favorite expressions, but what the hell is it supposed to mean?
“Fink.” For some reason Aunt Sophie always calls him that. “Show him the pages.”
He sighs and gathers up the weird metallic book.
“This is between the three of us. No need to stress your mother.”
What about stressing me? He stares at some imaginary point on the ceiling, like he always does when he lectures.
“Our family has—”
The front doorbell rings. His gaze snaps down, his mouth snaps shut. Out in the hall, I hear my mom answer, then men’s voices.
“Charlie,” Dad says, “go see who it is.”
“But—”
“Close the door behind you.”
* * *
I stomp down the hall. Mom is talking to the police. Two cops and a guy in a suit.
“Ma’am,” Uniform with Mustache says, “is your husband home?”
“May I help you?” she asks.
“We have a warrant.” He fumbles in his jacket and hands her an official-looking paper.
“This is for John Doe,” she tells him.
The cop turns to the man in the suit, deep blue, with a matching bowler hat like some guy on PBS. The dude even carries a cane — not the old-lady-with-a-limp type, more stroll-in-the-park. Blue Suit — a detective? — tilts forward to whisper in the cop’s ear. I can’t hear anything but I notice his outfit is crisp. Every seam stands out bright and clear. Everything else about him too.
“We need to speak to your husband,” the uniformed cop says.
I mentally kick myself for not ambushing Dad an hour earlier.
Eventually, the police tire of the runaround and shove past me as if I don’t exist. I tag along to watch them search the house. When they reach the study, Dad and Sophie are gone. The window’s closed and bolted from the inside.
All the other rooms are empty too, but this doesn’t stop them from slitting every sofa cushion and uncovering my box of secret DVDs.
* * *
Mom and I don’t talk about Dad’s hasty departure, but I do hear her call the police and ask about the warrant.
They have no idea who she’s talking about.
Yesterday, I thought Dad was about to deliver the Your mother and I have grown apart speech. Now I’m thinking more along the lines of secret agent or international kingpin.
But the months crawl by, business as usual, until my birthday comes and goes without any answers — or the promised visit from Dad. I try not to let on that it bothers me. He’s never missed my birthday, but then, the cops never came before, either.
Mom and I celebrate with cupcakes. Mine is jammed with sixteen candles, one extra for good luck.
I pry up the wrapping paper from the corner of her present.
“It’s customary to blow out the candles first,” Mom says.
“More a guideline than a rule,” I say. “Call it advanced reconnaissance.” That’s a phrase I picked up from Sophie.
Mom does a dorky eye roll, but I get the present open and find she did well by me, the latest iPhone — even if she skimped on the gigabytes. I use it to take two photos of her and then, holding it out, one of us together.
She smiles and pats my hand.
“This way, when you’re out on a date you can check in.”
I’m thinking more about surfing the web during class.
“Mom, girls never notice me.”
“How about Michelle next door? She’s cute.”
Mom’s right about the cute. We live in a duplex, an old house her family bought like a hundred years ago. Our tenants, the Montags, rent the other half, and we’ve celebrated every Fourth of July together as long as I can remember.
“Girls don’t pay attention to me.” Sometimes paraphrasing helps Mom understand.
“All teenage boys say that — your father certainly did.”
My throat tightens. “There’s a father-son track event this week.” A month ago, I went into orbit when I discovered it fell during Dad’s visit, but now it’s just a major bummer — and a pending embarrassment.
She kisses me on the forehead.
“He’ll be here if he can, honey. And if not, I’ll race. You don’t get your speed from his side of the family.”
True enough. She was a college tennis champ and he’s a flat-foot who likes foie gras. But still.
* * *
Our history class takes a field trip to Independence Park, where the teacher prattles on in front of the Liberty Bell. I’ve probably read more about it than she has.
Michelle is standing nearby with a girlfriend. The other day I tapped out a script on my phone — using our family cipher — complete with her possible responses to my asking her out. Maybe Mom’s right.
I slide over.
“Hey, Michelle, I’m really looking forward to next Fourth of July.”
“It’s January.” She has a lot of eyeliner on, which would look pretty sexy if she wasn’t glaring at me. “Do I know you from somewhere?”
That wasn’t in my script. I drift away. Being forgettable has advantages.
I tighten the laces on my trainers then flop a leg up on the fence to stretch. Soon as I’m loose enough, I sprint up the park toward the red brick hulk of Independence Hall. The teachers will notice the headcount is one short but of course they’ll have trouble figuring out who’s missing. And while a bunch of cops are lounging about — national historic landmark and all — even if one stops me, he won’t remember my name long enough to write up a ticket.
The sky gleams with that cloudless blue that sometimes graces Philly. The air is crisp and smells of wood smoke. I consider lapping the building.
Then I notice the man exiting the hall.
He glides out the white-painted door behind someone else and seesaws down the steps to the slate courtyard. He wears a deep blue suit and a matching bowler hat. His stride is rapid and he taps his walking stick against the pavement like clockwork.
The police detective.
I shift into a jog and follow him down the block toward the river. I don’t think he sees me, but he has this peculiar way of looking around, pivoting his head side to side as he goes.
It’s hard to explain what makes him different. His motions are stiff but he cuts through space without apparent effort. Despite the dull navy outfit, he looks sharper than the rest of the world, more in focus.
Like Dad and Sophie.
The man turns left at Chestnut and Third, and I follow him into Franklin Court.
He stops inside the skeleton of Ben Franklin’s missing house. Some idiots tore it down two hundred years ago, but for the bicentennial the city erected a steel ‘ghost house’ to replace it.
I tuck myself behind one of the big white girders and watch.
The man unbuttons his suit and winds himself.
Yes, that’s right. He winds himself. Like a clock. There’s no shirt under his jacket — just clockwork guts, spinning gears, and whirling cogs. There’s even a rocking pendulum. He takes a T-shaped key from his pocket, sticks it in his torso, and cranks.
Hardly police standard procedure.
Clueless tourists pass him without so much as a sideways glance. And I always assumed the going unnoticed thing was just me.
He stops winding and scans the courtyard, calibrating his head on first one point then another while his finger spins brass dials on his chest.
I watch, almost afraid to breathe.
CHIME. The man rings, a deep brassy sound — not unlike Grandmom’s old mantel clock.
I must have gasped, because he looks at me, his head ratcheting around 270 degrees until our eyes lock.
Glass eyes. Glass eyes set in a face of carved ivory. His mouth opens and the ivory mask that is his face parts along his jaw line to reveal more cogs.
CHIME. The sound reverberates through the empty bones of Franklin Court.
He takes his cane from under his arm and draws a blade from it as a stage-magician might a handkerchief.
CHIME. He raises the thin line of steel and glides in my direction.
CHIME. Heart beating like a rabbit’s, I scuttle across the cobblestones and fling myself over a low brick wall.
CHIME. His walking-stick-cum-sword strikes against the brick and throws sparks. He’s so close I hear his clockwork innards ticking, a tiny metallic tinkle.
CHIME. I roll away from the wall and spring to my feet. He bounds over in pursuit.
CHIME. I backpedal. I could run faster if I turned around, but a stab in the back isn’t high on my wishlist.
CHIME. He strides toward me, one hand on his hip, the other slices the air with his rapier. An older couple shuffles by and glances his way, but apparently they don’t see what I see.
CHIME. I stumble over a rock, snatch it up, and hurl it at him. Thanks to shot put practice, it strikes him full in the face, stopping him cold.
CHIME. He tilts his head from side to side. I see a thin crack in his ivory mask, but otherwise he seems unharmed.
CHIME. I dance to the side, eying the pavement, find another rock and grab it.
CHIME. We stand our ground, he with his sword and me with my stone.
“Your move, Timex!” I hope I sound braver than I feel.
CHIME. Beneath the clockwork man, a hole opens.
The manhole-sized circle in the cobblestones seethes and boils, spilling pale light up into the world. He stands above it, legs spread, toes on the pavement, heels dipping into nothingness.
The sun dims in the sky. Like an eclipse — still visible, just not as bright. My heart threatens to break through my ribs, but I inch closer.
The mechanical man brings his legs together and drops into the hole. The seething boiling hole.
I step forward and look down….
Into a whirlpool that could eat the Titanic for breakfast. But there’s no water, only a swirling tube made of a million pulverized galaxies. Not that my eyes can really latch onto anything inside, except for the man. His crisp dark form shrinks into faraway brightness.
Is this where Dad goes when he drops in on someone? Is the clockwork dude his rival researcher?
The sun brightens, and as it does, the hole starts to contract. Sharp edges of pavement eat into it, closing fast. I can’t let him get away. Somehow we’re all connected. Me, the mechanical man, Sophie, and Dad.
I take a step forward and let myself fall.
About The Author:
Andy Gavin is an unstoppable storyteller who studied for his Ph.D. at M.I.T. and founded video game developer Naughty Dog, Inc. at the age of fifteen, serving as co-president for two decades. There he created, produced, and directed over a dozen video games, including the award winning and best selling Crash Bandicoot and Jak & Daxter franchises, selling over 40 million units worldwide. He sleeps little, reads novels and histories, watches media obsessively, travels, and of course, writes.
3 Space craft, 240 colonists, 25 trillion miles and a discovery that changes everything.
Classic science fiction that will appeal to fans of Arthur C. Clarke. Astronomicon: The Beginning follows the human race’s intrepid first steps into interstellar space, a colonisation mission to Proxima Centauri. The colossal distance and harsh environment are not all that stand between them and survival.
This first volume in the epic Astronomicon series is the story of their desperate adventures and the political machinations that are unfolding back on Earth, which threaten to end space exploration permanently. With colonies on Mars and a growing mining community around Jupiter, will everyone want to come home?
Please note:-
This book has previously been released in two volumes (Voyage of the Elysian & The Discovery), but both have been heavily revamped and combined into a single volume.
About The Author
Paul Vincent was born in Stratford-upon-Avon (UK) in the early 70s. Due to his parents’ careers he grew up in a variety of places around Worcestershire, completing his school education in Worcester itself.
His choice of university took him to Cardiff, Wales, to study Computer Science. He has lived in Cardiff ever since, moving to several locations around the Welsh Capital city. He has been married for well over a decade now, with three children, one of which is now in secondary school (Which leaves him feeling very old!).
Paul has been writing creatively ever since school, writing his first (and now long lost) book in his late teens. Although has career path has never followed anything remotely like a literary theme, he has been writing as a hobby continuously. His career has been rooted in computers and related technology, from programming fruit machines to his current position working as a web developer. So far that has all proved to be useful life experience for writing fiction, especially his main interest which is science fiction.
The Astronomicon series of books is based on an idea he had back in 1998. It developed over the next three years until in 2001 he began to write the first draft of some of the key story passages. The first book, “The Voyage of the Elysian”, was originally envisioned as a stand-alone story, unrelated to the Astronomicon concept, but part way through writing it it became apparent that it fitted perfectly with the Astronomicon scenario. Better still it would give a nice introduction to the Astronomicon universe.
After some minor plot modifications and a rewrite of the political scene behind the events affecting the Elysian’s mission, Voyage of the Elysian became the introductory book of the series. It not only sets the scene for the later books but also gives a good grounding in the level of technology that humans enjoy. This is most certainly not the universe described in Star Trek!
Each novel tells the next important step of Earth’s development into the future, combining to become a true science-fiction epic. They chart the events which change human opinion of our place in the universe, that make us realise that being human is so much more important than patriotism to any individual country.
Guest Post: Living or Undead; The Hamletville Checklist by Melanie Karsak
The undead are troublesome. Unless their guts are hanging out of their stomach, it’s not always easy to determine if someone if undead or if they just really need a cup of coffee. After all, the undead need not be flesh eating zombies. There are many kinds of undead: vampires—sparkly or not–, windigo, ghouls, ghosts, etc. The good folks of Hamletville, the resident survivors of the “zompire” apocalypse in “The Harvesting,” have put together a checklist for you to determine that all important question: living or undead?
1) The individual is groaning and shuffling. Living or undead?
This can be difficult to determine. Anyone intoxicated, studying for finals, or the parents of small children exhibit these features. To determine if they are living or undead, the residents of Hamletville suggest offering a snack. If the individual smacks it angrily away, they are living. Also, they are in a bad mood. Be advised. If they try to eat your hand, they are undead.
2) The individual is eating raw flesh. Living or undead?
The answer to this conundrum depends a lot on the nature of the raw flesh. For example, if you are at your local Outback and the person has ordered a rare steak or burger, you’re probably okay. Watch for condiment choices. This is often a tell-tale sign. If they go for the A1 or ketchup, they are probably living. If, however, you arrive at your local Outback to discover the patrons eating one another, they are likely undead.
3) The individual is drinking thick, red liquid. Living or undead?
A “Naked” brand fruit smoothie, a nice port wine, or blood? Tough one. Without trying the concoction yourself, it might not be 100% clear if the individual is living or undead. Since you’d have to be stupid to take a sip, the only other option you have is to check for tell-tale signs. The residents of Hamletville have noticed that zombies don’t seem to like beverage containers. Instead, they will drink directly from a human corpse sippy-cup. Vampires, however, can prove tricky. They love to be elegant, don’t they? They are always sipping champagne flutes full of O-negative. Don’t let these undead creatures fool you. There is almost one universal sign you can use to determine if someone is a vampire: are they hot? If they are hot and pale (maybe having sparkles), go cautiously.
4) The individual is frothing at the mouth. Living or undead?
Is there a rabies outbreak in your local area? Does the individual suffer from road rage? Has the person just been slapped by Justin Bieber? Any of the proceeding may cause a living person to froth at the mouth. If, however, none of the above apply, assume the individual is undead.
5) The individual is ethereal. Living or undead?
If you have seen Norman Reedus, you probably already know that the living can take on the glow of the celestial divine. A luminescent, other-worldly glow is not necessarily a sign that someone is no longer living. If you are uncertain, the residents of Hamletville suggest the following: first, determine if you can see through the individual. Not in a “I love him so much I can see into his very soul” kind of see-through, but more like “gee, you’re standing in front of that lamp, yet I can still see the lamp” kind of see-through. If you can see through them, they are undead. If you can’t see through them, but you still are not sure, the residents of Hamletville suggest that you next determine if the individual could be classified as a “slayer” of any sort: zombie-slayer, vampire-slayer, demon-slayer, etc. If so, they are probably the hero of your town or tale—unless the tale is written by M. Night Shyamalan—thus, they are probably amongst the living.
The residents of Hamletville hope you find this checklist helpful. One final tip . . . always keep a nose out for the undead. They stink . . . like the undead.
Like tales of the undead? Check out “The Harvesting,” by Melanie Karsak. “The Harvesting” is a dark fantasy novel that chronicles the z-day event from the perspective of Layla Petrovich. Layla, returning to Hamletville just as the world begins to die, finds herself struggling to protect the people of her small home town. But zombies are not her only problem. Layla soon finds herself in the middle of a battle for our middle earth. “The Harvesting,” the first novel in the series, is available at Amazon.com, Smashwords, and Barnes and Noble.
The Harvesting Chapter 1
“If you ever need to slice someone’s head off, this is the blade you want,” I said as I lifted a curved sword off the table in front of me. “We’ve been practicing épée and foil so far, but tonight I want to introduce you to the sabre.” The practice sabre’s curved blade reflected the orange streetlight shining in through the window. A grant from the Smithsonian where I worked allowed me to teach my two passions: ancient weapons and their arts. “The sabre is a slashing weapon,” I continued and then lunged, showing the wide-eyed and excited students a few moves. “And in general, it’s my favorite,” I admitted with a grin.
The students laughed.
“Is that why you have it tattooed on your arm?” Tyler, one of my best fencers, asked.
My hand went unconsciously toward the tattoo. The ink was a sword interlaced with other once-meaningful symbols. “That’s not just any sabre,” I said, mildly embarrassed. “Here, let me show you. I brought something special tonight.” Setting the training sabre down, I lifted a rolled bundle. I laid it down on the table and unrolled it to reveal weapons in various elaborate scabbards.
“Some are épée, foils—you can tell by the hilt—a broadsword, a claymore, a katana, a scimitar, throwing daggers,” I said, pointing, “but this, this is a Russian shashka.” I pulled the shashka from the bundle. “It’s like a traditional sabre, but has no guard. She’s light, single-edged, wielded with one hand, and good for stabbing or slashing. Not awkward in close quarters like a Scottish claymore, but it will kill you just as dead,” I said with a smile. I unsheathed the weapon and gave it an under- and over-hand spin around my head, shoulders, and back.
The students grinned from ear to ear.
I put it back in its scabbard and handed the shashka to them. “Pass it around, but keep in mind it is sharp enough to cut a blade of hair in half.” I then turned my attention to Tyler. “Now, since you’re so interested, let’s see how you do with the sabre.” I tossed one of the training swords to him.
Tyler, already in his gear, jumped up and lowered his fencing mask. “But you’re not in gear,” he said.
I shrugged. “Hit me–if you can.’”
We stood at the ready, made the ceremonial bow, and began. Tyler was not overly aggressive, which is partially why he was so successful. He waited for me, moving slowly. He was smart, quick, and often tried to over-tire his opponent.
I waited, dropped my sword a bit, and let him make the lunge. He took the bait.
The swords clanged together, and we clashed back and forth across the strip. He lunged and slashed while I dodged and blocked. He was fast. I was faster. When he lunged again, I ducked. With an upward movement, I went in.
“A hit,” Kasey called.
They clapped.
“Man, that’s what you get for taking on a former state champ—and the teacher,” Trey told Tyler with a laugh.
Tyler pulled off the mask and smiled at me.
Just then, my cell rang. I would usually ignore it, but something told me to answer.
“Everyone pair up and start working with the training sabres,” I said and pointed to the sword rack. I went to my bag and grabbed my cell.
Before I could say hello, she spoke.
“Layla, Grandma needs you to come home,” my grandmother’s voice, thick with Russian accent, came across through static. I was silent for a moment. My grandmother lived 500 miles away, and she never used her telephone. With the exception of her T.V., she hated technology. She’d cried and begged me to take away the microwave I’d purchased for her one Mother’s Day.
“Grandma? What’s wrong?”
“Come home now. Be here tomorrow,” she said. She hung up.
I lowered my cell and stared at it. Confused and worried, I dialed her back. The phone rang, but she did not answer. I had obligations: practice, bills to pay, groceries to buy, tons of work to do, and a date for god-sakes. But my grandmother was the only one I had left in the world.
“Sorry, guys. Emergency,” I called to my students.
Disappointed, they groaned.
“Sorry. Let’s pack it up for the night.” My hands shaking, I slid the shashka back into the bundle and rolled up the weapons. What had happened? Maybe Grandma was sick. Maybe she had some problem. Or maybe she had seen something.
The monuments on the Mall faded into the distance behind me as I made my way to my Georgetown apartment. It was Friday night. Wisconsin Avenue was packed. The upscale shops and restaurants teemed with people. In the crowd you could see the mix of international tourists, Georgetown students, and designer-dressed hotties headed to clubs. I sighed. For the last month I had turned myself inside out trying to get the attention of Lars Burmeister, the German specialist the Smithsonian had brought in to consult on our new medieval poleaxe exhibit. He had finally asked me to dinner; we were going to meet at Levantes, a Turkish restaurant near Dupont Circle, at nine that night. I had dreamed of authentic dolma and a chance to sit across from Lars somewhere other than a museum. I had even bought a new dress: black, strapless, come-hither.
I circled my block three times before I finally found a parking space. Regardless, I loved Georgetown. It was early fall. The mature trees had turned shades of deep red and orange and were losing their leaves. The air was filled with an interesting mixture of smells: the natural decay of autumn, dusty heat from the old cobblestone streets, and the mildly rancid odor of too many people. In my 4th floor attic apartment of an old Brownstone, I could occasionally catch the sweet scent of the Potomac River. It reminded me just enough of home.
The apartment was ghastly hot. The small, one-bedroom had been closed up all day. I lifted the window and let the noise of the city fill the room. The street lamps cast twinkling light across my apartment. The weapons I had mounted on the wall, swords, shields, axes and the like, glimmered. I peeled off my sweaty practice clothes. Pulling a bag from the closet, I threw in several changes of clothes and a few other supplies. On my coffee table, my laptop light blinked glaringly. An overflowing email inbox, an article on bucklers that needed editing for a peer-reviewed journal, and a PowerPoint on Medieval Russian swords for a presentation for next week’s symposium all called me. My coffee table was stacked with paper. I was flooded with work; half my department was out on sick leave. There was a bad flu was going around. Thankfully, I had not yet gotten sick.
I pulled my cell out of my bag. I stared at the phone for a moment; Grandma’s recent call was still displayed on the screen. I dialed Lars’ number. My stomach shook when he answered.
“Guten abend, Lars. It’s Layla.”
“Ahh, Layla, good evening,” he replied.
I loved his German accent. He’d learned English from a British teacher; he said arse with a German lilt. It made me smile. I could tell by his tone he was trying to hide his excitement. I didn’t let him get far. I told him I had been called away for an emergency. I could sense his disappointment.
“I’ll be back by Monday. Let me make it up to you. Dinner at my place Monday night?”
He agreed.
“Gute nacht,” I said as sweetly as possible, hoping I had not pissed him off, and stuffed my phone into my bag. I stared out the window taking in the view. I did not want to go back, not even for a weekend. I loved my life. Hamletville was an old, ghost-filled place: too many memories, too much heartache. Yet I knew my grandmother. If she said I needed to come home, then I needed to come home.
I closed the windows, slid on a pair of jeans, a black t-shirt, boots, and a light vest. I looked again at the display on the wall. At the center I had crossed two Russian poyasni or boot-daggers. One dagger had the head of a wolf on the hilt. The other had the head of a doe. I grabbed them and tossed them in my bag. I then headed back downstairs and into the night. It was the last time I would lay eyes on D.C. for many years.
Book Description:
When mankind finally consumes itself, can any spark of humanity survive? Layla fights to keep those she loves alive when the zombie apocalypse unfolds, but she soon learns that zombies are not the only problem. With mankind silenced, those beings living on the fringe seek to reclaim power. Layla must learn who to trust, fast, if she hopes to save what is left of our kind.
About the Author:
Melanie Karsak, steampunk connoisseur, white elephant collector, and caffeine junkie, resides in Florida with her husband and two children. Visit the author at her blog, melaniekarsak.blogspot.com, to learn more about upcoming projects.
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